Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
talking hairdo - traduzione in olandese
![Wang Chongyang, founder of the Quanzhen School, depicted in Changchun Temple, [[Wuhan]]](https://commons.wikimedia.org/wiki/Special:FilePath/Changchun-Temple-Master-and-disciples-painting-0316.jpg?width=200 "Wang Chongyang, founder of the Quanzhen School, depicted in Changchun Temple, [[Wuhan]]")
![[[Norman Rockwell]] cover of the May 1, 1920 issue of ''The Saturday Evening Post'', showing a Ouija board in use](https://commons.wikimedia.org/wiki/Special:FilePath/Norman Rockwell Ouija board painting.jpg?width=200 "[[Norman Rockwell]] cover of the May 1, 1920 issue of ''The Saturday Evening Post'', showing a Ouija board in use")
![Ouija board painted on a two-story building in downtown [[Austin, Texas]]](https://commons.wikimedia.org/wiki/Special:FilePath/Ouija Board ~ Austin, Texas.jpg?width=200 "Ouija board painted on a two-story building in downtown [[Austin, Texas]]")
![Iberian language]].](https://commons.wikimedia.org/wiki/Special:FilePath/AcabaramSeOsOtariosAd1.jpg?width=200 "Iberian language]].")
![''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds."<ref>Quoted in Chatterji (1999), "The History of Sound."</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.](https://commons.wikimedia.org/wiki/Special:FilePath/AlamAra.jpg?width=200 "''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that \"police aid had to be summoned to control the crowds.\"<ref>Quoted in Chatterji (1999), \"The History of Sound.\"</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.")
![First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.](https://commons.wikimedia.org/wiki/Special:FilePath/BarkerMackaillSills.jpg?width=200 "First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.")
![dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/BlackmailUSWindowCardOndra.jpg?width=200 "dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>")
![Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].](https://commons.wikimedia.org/wiki/Special:FilePath/BroadwayMelodyPoster1.jpg?width=200 "Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].")
![Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].](https://commons.wikimedia.org/wiki/Special:FilePath/Dickson Film Still 2.jpg?width=200 "Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].")
![Woodstock]]'', 44 years later.](https://commons.wikimedia.org/wiki/Special:FilePath/DonJuanPoster2.jpg?width=200 "Woodstock]]'', 44 years later.")
![[[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.](https://commons.wikimedia.org/wiki/Special:FilePath/Eric Magnus Tigerstedt.jpg?width=200 "[[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.")
![1900 Paris Exposition]] using the Gratioulet-Lioret system.](https://commons.wikimedia.org/wiki/Special:FilePath/Expo1900SoundFilm.jpg?width=200 "1900 Paris Exposition]] using the Gratioulet-Lioret system.")
![Movietone]], together on the same bill.](https://commons.wikimedia.org/wiki/Special:FilePath/JazzSingerAndFox.jpg?width=200 "Movietone]], together on the same bill.")
![Image of sumo wrestlers from ''Melodie der Welt'' (1929), "one of the initial successes of a new art form", in [[André Bazin]]'s description. "It flung the whole earth onto the screen in a jigsaw of visual images and sounds."<ref>Bazin (1967), p. 155.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/MDWimage.jpg?width=200 "Image of sumo wrestlers from ''Melodie der Welt'' (1929), \"one of the initial successes of a new art form\", in [[André Bazin]]'s description. \"It flung the whole earth onto the screen in a jigsaw of visual images and sounds.\"<ref>Bazin (1967), p. 155.</ref>")
![Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/MadamuTonyobo.jpg?width=200 "Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>")
![David Thomson]] puts it, "sound proved the incongruity of [her] salon prettiness and tenement voice."<ref>Thomson (1998), p. 732.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/PhotoplayDec.jpg?width=200 "David Thomson]] puts it, \"sound proved the incongruity of [her] salon prettiness and tenement voice.\"<ref>Thomson (1998), p. 732.</ref>")
![The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, "in the unforgettable images of this spare and pure story we can discern the effort of an entire nation."<ref>Carné (1932), p. 105.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Putevka v zhisn poster.jpg?width=200 "The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, \"in the unforgettable images of this spare and pure story we can discern the effort of an entire nation.\"<ref>Carné (1932), p. 105.</ref>")
![''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.](https://commons.wikimedia.org/wiki/Special:FilePath/ShowgirlHollywood.jpg?width=200 "''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.")
![amplitude]] of the audio signal at each instant.](https://commons.wikimedia.org/wiki/Special:FilePath/USN16mmSoundtrack.jpg?width=200 "amplitude]] of the audio signal at each instant.")
![''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />](https://commons.wikimedia.org/wiki/Special:FilePath/Westfront 1918 Weber poster.jpg?width=200 "''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />")
Definizione
Wikipedia
Talking With... is a 1982 play by Jane Martin, published by Samuel French Incorporated. The play is composed of eleven ten-minute monologues, each featuring a different woman who talks about her life. The play includes the pieces, "Fifteen Minutes," "Scraps," "Clear Glass Marbles," "Audition," "Rodeo," "Twirler," "Lamps," "Handler," "Dragons," "French Fries," and "Marks." It premiered at the Manhattan Theatre Club in New York in 1982 and has been performed around the world.
The play deals with the personal ordeals of each of the female characters. Many of them are very touching; a few are even intensely emotional. However, there is also the very comical. Even the funny ones, however, have an underlying depth to them that gives a sensitive insight into each of the characters involved. The ladies cover a wide spectrum of life and age from the fading rodeo star in "Rodeo" to the young aspiring actress in "Audition", there is much tenderness and diversity in the subject matter involved in the play.
